- Works
- Gardens
- Oath to the God of Poetry
- Ceremony
- Red Ribbon
- Mysteria
- Red Tent
- Black Tent
- The Fool And The Purple Tent
- The Dance
- Wizard Is Coming Home
- Burn The Witch
- Black Callas
- Venus & Markhor
- Man on the Cliff
- Sessions
- Portraits
- Sleep
- Babies
- Meeting
- Map Of Corruption
- Total
- Frontal Lob Issue
- The Revenge Of The Amorphophallus
- Monk & Fish
- Contact
Oath To The God of Poetry . 110x150cm. oil on canvas . 2024
Red Ribbon, 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.
Red Ribbon (detail), 135x195cm, oil on canvas, 2022
The Red Ribbon, just like the symbol of virginity, is untied and floats in the tense area between the oppressed and the powerful. The red ribbon motif, which has ranged from being a symbol of AIDS awareness to decorating gift packages, settles into an uncertain, dynamic, and exciting area in the painting. This area is political to the extent that it is individual. My character's attributes to the audience, as marginalized by society - that is, literally pushed to the margins - are depicted with the arrogance of the noble and prestigious class that adorns the tapestries of European palaces and gains political prestige by becoming giants in historical and mythological paintings. Thus, the Red Ribbon winks at both the work of Jacques Louis David, who pioneered the French Revolution with his paintings, The Oath of the Horatii, and the Old Regime monarchy, of which David was also a product, and settles into a national and local place between the two.